I'm assuming most of my blog entries for this class will be pretty cut-and-dry, but I felt compelled to post this one -- I thought it was a fairly easy read... fairly.
Monday, January 26, 2009
Blog post -- Writing for the World Wide Web
Friday, January 23, 2009
JOUR 3510 blog
For one of my classes this semester we are required to blog about various topics, and I felt like sharing my most recent post because I really like how it came together. If anyone reads this thing, please let me know what you think.
Tuesday, January 20, 2009
Glasvegas S/T review
Published January 15, 2009 in The Red & Black
GLASVEGAS
GLASVEGAS
The album casts the Scottish rock quartet as a post-punk outfit. All the hallmarks of the style are in place: anthemic melodies, wall-of-sound production and ethereal guitar work copped from U2, all anchored by a pulsating bass undercurrent.
The problem is, of course, that while all of Glasvegas' musical traits mesh well together and display a promising sense of internal chemistry, little from its debut feels markedly original - as if the band is content to retread the sonic terrain achieved by its predecessors rather than construct its own identity from it.
Even so, "Glasvegas" is a relatively solid debut, a handful of its songs boasting gorgeously crafted melodies and acute sense of dynamic ("Geraldine," "Polmont on My Mind," "Flowers and Football Tops").
Allan has a frustratingly familiar vocal style, resembling a rough-edged, Scottish version of The Shins' James Mercer at his best and AFI's Davey Havok at his worst. His melodies are stylized in the same fashion in nearly every song, but when his lyrically verbose tendencies push the band into spoken-word territory - particularly on "Stabbed" and "It's My Own Cheating Heart that Makes Me Cry" - it suggests a unique nuance for Glasvegas to explore in the future. Only "Go Square Go" leaves an unfavorable impression: its awkwardly jaunty momentum feels affected and borders on being outright silly.
VERDICT
It suggests enormous potential - but if Glasvegas has any hope to separate itself from the slew of post-punk imitators in the future, it'll have to bring something new to the table.
Thursday, January 8, 2009
As the lame duck enters its eleventh hour...
Without further ado...
"Rose Colored Lens"
Stand facing the crowd
Tell them all you love their beautiful frowns
Poised above them all
You’ve convinced them that they chose their own fall
It’s hard to be more than in-between
When nobody can see which way you lean
Step back, get off my lawn
Find someone content to join the hell ride you’re on
Eyes don’t conceal fear
They fester impulses you wish would disappear
Surely you thought this out
The falling towers cleared quite a convenient route
It’s hard to tell where the madness ends
When we’re fed the world through a rose colored lens
Step back, hands off my dreams
This façade won’t erase what I saw behind the scenes
What did you expect you find when you looked inside?
Did it make you scream?
I guess turning a blind eye can’t provide
Your mind with sound reprieve
What did you expect to find inside?
But a frayed and tattered dream?
Idle power won’t allow you
To spread your brittle wings
I’ll pull up your roots, I wanna know just where you stand
Did your pride change your tune
Or were you caught scanning the dial?
I’ll dig your fucking head up from the sand
Did you hear me? Are your ears clean
Or are they coated in denial?
I may be blind but it’s better than seeing through your eyes
I may live in fear but it’s better than living your lie

Friday, January 2, 2009
Mutability in 2009
Took a walk alone in shifting sands
Mistook them for a muddied path
The one thing I decried you now commend
Attach a steel echo to your laugh
Can't get comfortable with here and now
When tomorrow succumbs to yesterday
Lend me something I can hold somehow
Anything that won't melt away
And disperse among the shifting sands
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